He puts the drama and plot first, avoiding details that could be distractions and appearances that aren’t explained (or explained away) in dialogue or action. Villeneuve’s interests appear to lie elsewhere. David Lynch’s version of “Dune,” from 1984, was a profuse film, teeming with sets and costumes as intricate as they were overwhelming, making extended and startling use of optical effects, and, in general, displaying an urgent will to turn the fantasy worlds of the story, which is set in the year 10191, into physical and visceral experiences. spectacle than a production still waiting for its backgrounds to be digitally filled in or its sets to be built. Directed by Denis Villeneuve, the adaptation of Frank Herbert’s 1965 novel seems less like a C.G.I. It’s surprising how cheesy the new “Dune” looks.
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